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Showing posts with label marchesa. Show all posts
Showing posts with label marchesa. Show all posts

Friday, March 4, 2011

Marchesa Fall 2011


Every New York Fashion Week, I attend as many shows as humanly possible.  Some designers are past favorites and some are designers new to me.  In all of these cases, I am looking for designs that will excite me and in turn be able to share that excitement with you.  Sometimes the shows are good, sometimes forgettable and sometimes they are true revelations.
One label I seek out season after season is Marchesa.  It is hands down THE show that I look forward to every season.  I wrote to them requesting an invite for their presentation, despite not knowing if and when it would occur.  I did not hear back from them and several of my colleagues told me that they didn’t think they were showing this time around.  Then almost last minute, I learned that the presentation WAS taking place at the same venue in Chelsea as last season.  Needless to say, I high tailed it down there on the afternoon of the event, determined not to miss it.  I was relieved to find that my advance request had landed me on the guest list. Lucky me!



Once inside, I was greeted by a collection that was everything I had hoped it would be.  The level at which they consistently produce amazes me and has my utmost respect.  I wandered through the presentation awestruck, my head buzzing with a sensory overload of beauty.  In describing the outfits, I struggle in calling them “gowns” or “dresses”, as these are so much more than that.  Each one is a divine piece of art, taking fashion to it’s highest level and creating wearable masterpieces.  This is truly Haute Couture...

For Fall 2011, designer’s Georgina Chapman and Karen Craig took their inspiration from Charles Dickens Great Expectations, imbuing the collection with a Dickensian Era romanticism.  Miss Havisham’s wedding gown played a key role, with yards and yards of lace evident throughout the collection.  Except that not all of it is really lace.  The designers created their own “lace” by applying embroidery and beading onto tulle for a visually stunning effect.  Crystals, jet beads, pearls and metallic threads give this handcrafted lace a stunning richness.

Fine silks, velvet, organza, tulle, feathers and reembroidered lace create a richness that is further emphasized by meticulous draping.  Fabric is painstakingly draped to create 3-Dimensional forms and floral motifs which wrap around the body.  The skilled drape and imaginative construction of each piece is a testament to true artistry and craftsmanship.



I wouldn’t say that Marchesa tops itself each season, because that would imply that the previous collection was somehow less spectacular than the current collection.  Rather, it is more accurate to say that they continue to produce collections that inspire wonderment and awe, each collection equally brilliant.  I hesitatingly pulled myself away and strolled out onto 22nd Street in the dreamy state of a somnambulist, not wanting to awake from the beauty that had surrounded me.  Marchesa had done it again!

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Sunday, February 27, 2011

Oscars Red Carpet Winners

Red and variations thereof ruled over the red carpet for 2011.  A continuation from the Golden Globes.  Anne Hathaway went through numerous gown changes throughout the night, but she made her entrance in a Valentino gown with a poufed train.  She thanked the designer right on the carpet with a kiss.  Natalie Portman looked as gorgeous as a very pregnant woman (and most non-pregnant women) could ever hope to look in a flattering merlot gown by Rodarte.  She showed allegiance to the designers who designed several notable costumes for her winning Oscar film Black Swan.  Last year's Best Actress award winner swept the carpet in a statuesque Vera Wang gown.  Jennifer Hudson rocked her new body in a tomato shade of Atelier Versace.  Penelope Cruz smoldered in a body conscious sequin embroidered L'Wren Scott dress.

Embellished nude and neutrals were a close runner up.  Gwyneth Paltrow split the yay/nay vote with the sequin embroidered sheath by Calvin Klein.  I personally thought she was missing an entourage of Muppets al Grammy Awards.  Halle Berry was a favorite of many critics in an embroidered tulle gown with dramatic train from Marchesa.  Nicole Kidman was stunning as usual in a proper couture embroidered Dior gown.  

Pretty in pink, lilac or lavender.  In a pre-cursor to spring, some of my favorite gowns of the night were (gasp!) pastel.  Hailee Steinfeld wore a crystal embroidered gown with a full tulle skirt that made her look ladylike, but completely appropriate for her age.  Marchesa wins again on this one.  Mila Kunis made her turn down the red carpet with a sexy but feminine frock by Elie Saab.  The strategic georgette draped panels and placement of delicate lace was provocative, but forgiving.  The gorgeous color served to enhance her strong features.  The lilac Haute Couture Givenchy on Cate Blanchett will be controversial among mainstream  critics.  However, all of the designers and industry elite were spanking themselves when the camera panned her gown.  The rigid shoulder and waist cinch framed the soft, shirred bodice and skirt with hand embroidered stones and beads.  The acid yellow spot color of beading around the neck was surprising, keeping the gown from taking itself too seriously.
For anyone who knows me, they know I always root for the fashion underdogs.  I love the rebel and the women who dare to flaunt the unexpected.  Marisa Tomei brought out a legendary designer, mostly forgotten by modern generations.  She wore a refitted Charles James Lily and Cie gown from 1950.  The gown's satin bustier and miles of organza skirt was like a museum piece brought to life.  

Helena Bonham Carter deliberately likes to turn her nose up at the fashion police.  She bypassed the traditional fashion designers and had long-time Tim Burton collaborator (and Oscar winner) Colleen Atwood make her gown.  It was an avant-garde, somewhat Gothic gown of black velvet and satin.  On the red carpet, she pulled up her skirt in a suggestive with with sassy wink to reveal a British flag.  This was her personal support for her film, the King's Speech.  It must have worked, the film took home Best Actor, Director and Film.
Photos from Getty, OK! Magazine

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Thursday, September 16, 2010

NY FASHION WEEK: Marchesa Spring 2011

Pure fantasy.  Retailers and media love to sing the praises of wearability (make that $aleability), but that isn't very entertaining.  The Marchesa collection was appropriately displayed at the Chelsea Art Museum Wednesday.  The gown were sculpted works of art.  Innovative embroideries with stones, beading and horsehair stroked the imaginations of the most jaded fashion observer.
The elaborate jewels and beading was carried through into the accessories.  Clutches, headpieces and shoes were encrusted with riches. 

Will you see anyone getting out of the subway with any of these pieces?  Highly unlikely.  Then again, the average subway rider is not Marchesa's prime market.  The target woman here seems to be the Red Carpet starlet (usually from the ranks of  current Weinstein Company films).  Is there anything wrong with that?  Of course not.  I am just happy to see that there are still American designers who can inspire unattainable glamour.

Spotted in the front row Mingling: Harvey Weinstein, Tinsley Mortimer, Jessica Szohr

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Wednesday, September 15, 2010

WWD at 100 Exhibit

Across the street from Lincoln Center, a quiet fashion presentation is taking place.  Womens Wear Daily has installed an exhibit featuring iconic looks from the last 100 years re-interpreted by today's hottest young designers.  Marilyn Monroe's iconic white subway dress, Bruce Springsteen's denim, Audrey Hepburn just to name a few.

Gilt.com will auction the one-of-a-kind looks at the end of the exhibit.  The exhibit runs until September 16th and is open to the public.
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